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Robert Taylor Aviation and Naval Art

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Alternative text: Jet Hunters by Robert Taylor.
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Alternative text: Last One Home by Ivan Berryman. (F)
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Alternative text: Air Armada by Robert Taylor.
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Alternative text: Fighter Legend - Adolf Galland by Nicolas Trudgian.
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Alternative text: Head on Attack by Robert Taylor
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Alternative text: Flt Lt Walter Lawson by Ivan Berryman.
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Alternative text: Road to the Rhine by Robert Taylor.
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Alternative text: Invasion Force by Nicolas Trudgian.
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Alternative text: Rabaul - Fly For Your Life by Robert Taylor.
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Alternative text: The Black Sheep by Nicolas Trudgian (B)
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Alternative text: When Hitler invaded Poland the British found themselves at war - and isolated. Desperate for new fighters and with production at full capacity they turned to the US aircraft manufacturer North American Aviation who were convinced they had the answer for Britain's needs - but it was still on the drawing board. They were, however, sure they could meet the deadline and incredibly, within the space of just four months the company had their brand new machine in the air. The Mustang was a triumph - conceived and born in a shorter period than any other significant aircraft in history and testament to its designer Edgar Schmued, and the people who built it. Delivered to the RAF in October 1941, it was fast, manoeuvrable, hard-hitting and, by the time it was combined with the legendary Rolls-Royce Merlin engine, was capable of outperforming anything the enemy could throw at it. With the arrival of the long-range fighter the heavy bombers of the USAAF could now be escorted all the way to the German capital and back so whilst the RAF pounded Berlin at night, the Mighty Eighth would do the same by day. When P-51s first appeared in the skies over Berlin, Hermann Goering was reported to have announced that he knew then the war was lost. Like the Spitfire, a special new breed of men flew the Mustang as the Allies pushed for victory in Europe. Tough, supremely confident, determined, and gloriously brave; it was an era that belonged to them and the P-51 helped produce some of the greatest aces of the war. Such iconic pilots as George Preddy, John Meyer, Don Blakeslee, Kit Carson and Bud Anderson scored all or most of their victories in this thoroughbred fighter. In fact, the Mustang was responsible for more US victories than any other fighter of the war. In this painting, P-51Ds of the 352nd Fighter Group with full long-range tanks slung under their wings, head out from their forward base in Belgium on an extended sweep east of the Rhine crossing on the lookout for enemy aircraft, in the spring of 1945.
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Alternative text: For nearly a thousand years the white cliffs of southern England had taunted many a foreign army. These fortress walls of chalk, however, were defended by the moat-like waters of the Channel, and together they had shielded the British from her enemies. Alongside Drake they had defied the armies of Spain and her great Armada and, in 1805, had halted the march of Napoleon's Grand ArmÃ©e. No enemy force since that of William the Conqueror in 1066 had successfully managed to cross the Channel in anger but, in May 1940, one of the most powerful armies the world had ever seen arrived at Calais. An invasion by Hitler's all-conquering Wehrmacht was imminent - or so it seemed. To cross the Channel and breach the English defences, the Luftwaffe simply had to gain control of the skies, and with massively superior numbers the outcom seemed inevitable. The fate of Britain lay in the hands of less than 3,000 young airmen from Fighter Command - Churhill's 'Few'. By July the most famous air battle in history was underway and, over the next three months under tranquil summer skies, the 'Few' battled to defend their Scpetred Isle. Impossibly outnumbered and flying daily to the point of exhaustion, by October these courageous young men had snatched victory from the jaws of defeat, emerging defiantly victorious. The threat of invasion might be over but a terrible price had been paid - during that long battle for the survival of Britain 544 had been killed and 422 wounded; and of those who survived a further 814 would be killed before the end of the war. This painting pays tribute to the valiant 'Few', portraying a fleeting moment of calm for the pilots of 74 (Tiger) Squadron during the height of the Battle of Britain. With his commanding officer Sailor Malan (ZP-A) to his right, Acting Flight Lieutenant John Freeborn (ZP-C) takes time to reflect on another day of intense combat while passing over the white cliffs and the familiar lighthouse at Beachy Head, as the squadron cross the English coast to head for home.
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Alternative text: Following their victory at Midway, American forces had fought a long, bloody and bitter campaign to retake the Japanese held islands in the Pacific. By the end of March 1945, however, they had finally captured Iwo Jima and looked towards Okinawa, a province of Japan itself. But the closer the fighting came to Japan, the greater was the enemy's resistance. The five-week long battle for Iwo Jima had been bloody, brutal and costly with over 26,000 US Marine casualties. Of the 21,000-strong Japanese garrison on the island less than 300 prisoners had been taken; the rest refusing to surrender, preferring to fight to the death or commit 'honourable' ritual suicide. Now the Allied attention turned to the island of Okinawa. Annexed by Japan in the late nineteenth century and less than 400 miles south of its mainland, it was the place from which the Allied invasion of Japan must be launched. Supported by a huge naval presence, including one of the largest British fleets ever assembled, the assault began on 1st April 1945 with the largest amphibious landing of the Pacific war - six US Divisions landed during what has been referred to as a typhoon of steel. Japan's response was ferocious seeing the peak of the kamikaze scourge and the Allied fighter pilots, whilst providing ground support to the advancing infantry, desperately attempted to defend the naval fleet from unrelenting attacks. While the British ships with their steel decks fared much better, the kamikazes took their toll on the US fleet, highlighting a conflict worse than anything seen before. The 82 day battle was one of the most severe and bloody campaigns of WWII, accounting for over 14,000 Allied deaths and five times that number of Japanese soldiers. This painting depicts USMC Ace Dean Caswell and F4U Corsairs from VMF-221, based on the carrier USS Bunker Hill climbing away from the target area after delivering a blistering rocket attack on enemy positions on Okinawa.
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Alternative text: It was one of the fastest operational aircraft in the world, one of the most envied - and one of the most feared. Built almost entirely of wood and assembled by carpenters, the beautifully streamlined de Havilland Mosquito, or Wooden Wonder was a triumph of ingenuity at a time when resources of light alloys were in short supply. Its greatest attribute was speed. Powered by two phenomenal Rolls-Royce Merlin engines, the Mosquito became the finest multi-role combat aircraft of World War II. No other Allied military aircraft was built in so many versions for so many roles - a fast bomber which could carry a huge 4,000lb payload; a day or night fighter; a fighter-bomber; trainer; torpedo bomber; photo reconnaissance aircraft; maritime strike aircraft and U-boat hunter were just some of the 43 different variants produced during a long and distinguished career. Mosquitos had pioneered the role of daring precision attacks with the September 1942 raid on the Gestapo Headquarters in Oslo and were involved in the first unescorted high-speed bombing raids on Germany. It was the Mosquito strike wings of Coastal Command, however, that endured some of the fiercest battles of the war. Flying over the unforgiving icy waters of the North Sea to attack enemy shipping along the coasts of Norway, Denmark and Hollad meant that precision flying was essential for survival; especially in the deep, sheer fjords where even the slightest lapse in concentration could result in instant destruction. In this painting, Mosquito Mk.VIs from No.143 Sqn, part of the famous Banff Strike Wing, come under intense defensive fire whilst delivering a blistering strike on enemy shipping off the Norwegian coast in early 1945. Their salvo of rockets, however, will likely be enough to penetrate the hulls of the ships.
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Alternative text: Arguably the best known of all World War 1 fighter aces, Mannfred von Richthofen, the 'Red Baron', is depicted here flying Fokker Dr.1, serial No 425/17, in its final livery following the introduction of the Balkenkreuze, early in 1918. Contrary to popular belief, this was the only Triplane flown by the Rittmeister that was painted all red and was also the aircraft in which he lost his life on 21st April 1918, the celebrated ace having scored a confirmed 80 victories against allied aircraft over France.
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Alternative text: Perhaps the greatest exponent of Fokker's Eindecker series of aircraft, Max Immelmann is credited with 15 aerial victories and was the first fighter pilot ever to win the coveted Pour le MÃ©rite. He was killed on 18th June 1916 during combat with British FE.2B fighters of 25 Sqn.
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Alternative text: The great Werner Voss is depicted in his Fokker F1 103/17 of Jasta 10 in the Summer of 1917. Renowned by pilots from both sides for his bravery and extraordinary airmanship, the young ace scored a total of 48 confirmed victories before being brought down and killed by Lieutenant Rhys Davids' SE5 on the very day that he was due to go on leave. The Fokker F1 differed from the production DR.1 in detail only, Voss' machine being fitted with a captured 110hp Le Rhone engine and his aircraft was not fitted with the outer wing skids common to the DR.1.
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Alternative text: Tiger Moth G-AOEI owned by Cambridge Flying Group over the Cambridge countryside.
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Alternative text: The daylight raid on Tokyo, led by Lt Col James H. Doolittle on Sunday 18 April 1942, has rightfully entered the history books as one of the most daring and courageous operations of the Second World War. On that day, in mid ocean, Doolittle had launched his B-25 Mitchell bomber from the heaving, spray-soaked flight deck of an aircraft carrier, a deck too short to land on, and flown on to bomb Tokyo. He knew there would be no return to the USS Hornet, either for him or the 15 heavily laden B-25s behind him, for this was a feat never before attempted, and for every crew member the mission was a one-way ticket. Yet, under the leadership of Jimmy Doolittle, they all dared to survive. The mission for the 16 bombers was to bomb industrial targets in Tokyo and surrounding areas, to slow production of strategic war material, then fly on to land in the part of south-west China that was still in the hands of friendly Nationalist forces. All being well, the mission would be so unexpected it would plant the first seeds of doubt into enemy minds. It worked â€“ the Japanese were forced to quickly divert hundreds of aircraft, men and equipment away from offensive operations to the defence of their homeland. There was, however, another reason behind the Doolittle's raid â€“ to lift the morale of an American public devastated by the attack on Pearl Harbor four months earlier. And the success of the mission provided the boost that was needed. If any had doubted America's resolve in the face of uncertainty, the courage, determination and heroism displayed by Lt Col Doolittle and his band of aviators restored their determination. Although it might take years, and the price would be high, America and her allies understood that the fight could, and would, be won. Commissioned to commemorate the 75th Anniversary of the Doolittle Tokyo Raid the painting portrays the dramatic moment that Lt Col Jimmy Doolittle lifts his B-25 off the pitching deck of the USS Hornet. Having timed his launch to perfection he climbs steeply away, ready to adjust his compass bearing for a direct line to Tokyo. On the sodden deck behind him the crews of the remaining 15 aircraft, whose engines are warmed, ready and turning, will quickly follow their commanding officer into the murky sky.
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Alternative text: VC.10, serial No 885 was the last of its type to be built at Brooklands and is seen here taking to the air on 16th February 1970 in her East African Airlines livery as 5H-MOG. This aircraft was later acquired by the Royal Air Force and registered as ZA150, serving as a K3 with 101 Sqn until her eventual retirement in 2013, this veteran of 43 years service landing for the final time at Dunsfold where she will be preserved as part of the Brooklands Museum.
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Alternative text: The Junkers Ju.287 V1 bomber prototype was a typical example of Germany's research into advanced aerodynamics at the end of World War II. Featuring forward swept wings and four Jumo 004B-1 Orkan axial-flow turbojets, this extraordinary aircraft made several successful flights before the project was curtailed by the war's end. RS+RA is shown on a test flight, carrying a cine camera in front of the fin to record airflow by means of wool tufts glued to the wings and fuselage sides. The characteristics of forward swept wings are only now being re-evaluated, 70 years after Junkers' first tentative steps into the unknown.
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Alternative text: Supermarine Swift F.4 WK198 flown by Lt Cmdr Mike Lithgow setting a new World Air Speed Record on 26th September 1953, averaging 737.3mph over a series of four runs above the desert of Castel Idris, Libya. The airframe of this important piece of British aviation history has been rescued from a scrap yard by the Brooklands Museum and it is hoped that WK198 might one day be restored to static display condition.
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Alternative text: Rabaul - Fly For Your Life by Robert Taylor. (AP)
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Alternative text: Vital Support by Robert Taylor. (B)
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Alternative text: Target Bearing 270 by Robert Taylor (AP)
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Alternative text: Stuka by Robert Taylor.
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Alternative text: Bomb Away! The Third Assault by Robert Taylor. (AP)
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